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女巨人复仇记
1958 0.0分 欧美电影
  After an encounter with aliens, a wealthy women grows to, surprise surprise, 50 feet tall. With her new found size she decides to get revenge on her husband and others that annoyed her.
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欧罗巴报告
2013 0.0分 欧美电影
  几十年来,科学家们一直在推测木卫二可能是除地球之外,太阳系中唯一一个有大量液态水存在的地方。因为木卫二的表面照片与地球海洋上的冰的照片相似,冰壳上布满了各种陨石撞击留下的坑坑洼洼,不少科学家推测,在木卫二的冰壳之下或许有着太阳系中最大的液态水海洋,海洋下面可能存在着有单细胞生命。而这一“生命可能”的理论正是电影《欧罗巴报告》的核心。
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霹雳五号
1986 0.0分 欧美电影
  《霹雳五号》是1986年由新力影业旗下子公司——三星影业所推出的科幻喜剧片。  NOVA军火公司开发了五台战争用机器人,而其中一台机器人“No.5”有一天突然被雷打中,而之后便产生了自我意识,并且开始自称自己为“强尼五号”。它逃到了街上,却被人类视为一大威胁,而剩下四台机器人也在追杀它,它必须设法说服发明它的科学家“自己是一种生命,而不是战争用机器人”。在一次短路状况下闯入了热心保护动物的史..
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霹雳五号续集
1988 0.0分 欧美电影
  机器人乔尼五号做着与其他机器人,比如终结者、变形金刚、机械战警,完全不同的事。  乔尼五号不是想统治地球的机器魔王,也不是任由人类摆布的机器奴隶。他拒绝承认自己是一种物品,甚至机器。他大声宣布“我也是一种生命”,渴望人类接纳他。他努力向人类学习,并在各方面向人类靠近。为此他穿上衣服,还上教堂向神父询问灵魂的奥秘。  乔尼五号天真善良,乐于助人,不谙世事,仿佛孩童。他全力帮助设计者本杰明生产玩..
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全面回忆2012
2012 0.0分 欧美电影
  欢迎来到Rekall,它是一个能够把你的梦境变成现实的工厂。主人公道格拉斯·奎德(柯林·法瑞尔 Colin Farrell 饰)是一名普通的工厂工人。尽管他有一位漂亮的妻子(凯特·贝金赛尔 Kate Beckinsale 饰),两人看似恩爱,但他内心似乎依然不满足。思绪旅行听起来像是个完美的假期,让他从沮丧的生活中得到放松——作为一名特工的真实记忆可能正是他所需要的。但是当这个过程出现可怕的..
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人口零增长
1972 0.0分 欧美电影
  In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks ..
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《等待方舟》剧情介绍

欧美剧提供影视作品等待方舟高清全集在线观看的影视全集网,欧美电影《等待方舟》全集作品的导演是皮奥特尔·舒尔金   ,由耶日·斯图尔  克里斯提娜·杨达  卡里娜·谢鲁斯克  马里乌什·德莫霍夫斯基  马雷克·瓦尔切夫斯基  扬·诺维茨基  亨里克·比斯塔  莱昂·涅姆奇克  克兹佐夫·马扎克  斯坦尼斯瓦夫·伊加尔  主演,等待方舟在豆瓣的评分为0.0,本片由小编于2025-12-19 18:00更新,希望大家喜欢,可以把《等待方舟》推荐给你朋友,本作品的地址为 http://oumeiju.cc/movie/index39163.html

《等待方舟》简介:

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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